Showing posts with label Random House. Show all posts
Showing posts with label Random House. Show all posts

Saturday, July 24, 2010

Literary News: The Digital Battle, Publishing Houses in Peril?, Damnit Janet (Evanovich) and Animal Farm the Musical


  • The Digital Battle That loud cackle followed by uncontrollable laughter that you heard a few days ago was coming from Amazon.com on the day that it announced that for the first time since its Kindle had been released digital books had outsold hardcover books at the site. According to Amazon, one of most prolific booksellers in the country, in the last four weeks they have been selling as many as 180 digital books per every 100 hardback books sold. The announcement may not come as a surprise as the battle between the digital book and the traditional book has been going on for awhile now. It is interesting, however, to note that Amazon offers 630,000 kindle books as opposed to the millions of hardback books sold at the site. The Kindle has is still a relative newcomer to the Amazon site as it has only been sold for 33 months while the site itself has been in the book business for over 15 years. 
  • Publishing Houses in Peril? The battle between digital and traditional books is taking places on multiple fronts. Things have been heating up this week in the publishing world. It has been reported in the article "Random House Bullying Agents on EBooks - But Is It Legal?" by Mike Fleming over at Deadline.com that the power of the digital book has been creating quite a bit of angst over the place of traditional publishing houses in the future of the book biz. This controversy lands on the heels of Amazon's announcement as well as the announcement that book agent Andrew Wylie, the man behind a newly established electronic publishing imprint Odyssey Editions, has signed an exclusive deal with Amazon.com. The deal would essentially cut out the middle man, the publishing houses, by selling Amazon sole e-book rights to titles like Ralph Ellison’s Invisible Man, Vladimir Nabakov’s Lolita, Philip Roth’s Portnoy’s Complaint, Hunter S. Thompson’s Fear and Loathing in Las Vegas, John Updike’s Rabbit Run series, Norman Mailer’s The Naked and the Dead and Evelyn Waugh's Brideshead Revisited. The books will only be available on Kindle for the traditional $9.99 price of digital editions. According to the piece's author Fleming, Random House responded with what he calls "sheer thuggery" by blacklisting Wylie in a"clear attempt to scare other authors and their reps from trying the same thing." Other publishers such as Macmillian, he writes, have taken similar measures. Fleming asks the question that is, undoubtedly, at the heart of the conflict: in the case of authors who signed contracts before the digital book was even a gleam in the eye of Amazon or Sony? The answer is one that is sure to cause debate. Hit reply and leave us a comment, what do you think? Read the rest of Mike Fleming's piece over at Deadline.com by clicking here.
  • Damnit Janet!  Janet Evanovich has been atop the New York Times bestsellers list a total of 14 times, has sold northward of 90 million books in her career and has been making quite a bit of news this week when news of her split with St. Martin's Press was announced. Evanovich, who has been with St. Martin's Press for the last fifteen years, recently asked for $50 million dollars for her next four books -- something St. Martin's just wasn't willing to do. News followed that her agent/son Peter Evanovich was shopping around at other publishers, the $50 million dollar ask still intact. According to a Forbes.com article Evanovich is one of the top grossing authors racking in an estimated $16 million dollars in book-related income last year. Her backlisted novels sell some 20 million copies a year. Evanovich's seperation with St. Martin's Press has perhaps come at a bad time for a number of reasons: the author's last novel, Sizzlin' Sixteen the latest novel in her very successful Stephanie Plum series, has had less than stellar reviews, receiving just two and a half starts out of a possible five over at Amazon.com, matters are only made more dire with the current state of publishing houses and their battle to stay profitable. According to Deadline.com there is a great deal of risk involved in signing deals like that requested by Evanovich: "such a front-loaded deal puts all the risk on the new books, and the publisher doesn't have the benefit of writing off losers against backlist books that remain at St.Martin's Press." While Dirk Smilie over at Forbes.com asks the obvious question, whether Evanovich is worth the steep price tag, he does point out that Pillars of the Earth author Ken Follett recently signed a $50 million dollar three book deal and that James Patterson also recently signed a whopping $100 million dollar deal over at Hatchette, although that deal was for an equally staggering seventeen novels. Evanovich, many argue, is on the same level as Follett and Patterson. All three prolific authors who have a reputation for churning out novels that consistently sell. Will Evanovich find a deal outside of the St. Martin's "family"? Is she the sum she's asking for fair? Share your thoughts by clicking comment and telling us how it is!
  •   Belt It Out: Animal Farm the Musical? This one could leave you scratching your head. According to the UK's The Daily Mail Sir Elton John and producing partner Lee Hall, the creative team behind the stage version of Billy Elliot: The Musical are planning to start work on a musical version of George Orwell's 65 year-old allegorical barn yard tale, Animal Farm. Lee reportedly told The Daily Mail that it had taken them about two years to secure the rights for the project, and that it would probably take another two years before the musical is finished. Consider yourself warned.

Thursday, October 16, 2008

Loaded Questions with "The 19th Wife" Author, David Ebershoff




The 19th Wife by David Ebershoff

Random House, August 2008 - 528 Pages

On Sale at Amazon.com for $17.16, 34% Off

The 19th Wife is a novel within a novel that tells two very distinct and yet related stories about the controversial issue of polygamy. One part of the novel is the story of Ann Eliza Young, the nineteenth wife of famed Brigham Young, founder of the Church of Jesus Christ of Latter-day Saints who divorced her husband, went on a national speaking tour, telling the story of her life and later wrote two books published in 1875 and 1903. The second part of the novel is a modern-day murder mystery that tells the story of Jordan Scott a young man expelled at the age of fourteen from the Firsts, a fundamentalist Mormon cult in Mesadale, Ariz. Jordan's newly discovered stability is turned upside down when he hears that his mother has been arrested for murdering his exceedingly creepy, polygamous father. He drives back home to see her for the first time in six years and reluctantly decides to help prove her innocence.

David Ebershoff, an editor at Random House, has written a very vivid novel full of characters emmersed in the world of polygamy and religion in the 1800s as well as modern characters who are also living a life in which polygamy and religion play a major role. The difference? One clear distinction is that the key characters in the story that take place in the 1800s are founders and early leaders in the Mormon church, the modern characters, still involved in polygamy, are part of a church that is called Firsts, a radical group that has broken off from the larger Mormon Church.

Ebershoff offers the reader a unique view of a very interesting time in US history as well as a eye-opening story of a modern fundamentalist cult and the struggles of one boy to free himself and the ones he loves from its grasp.

Kelly Hewitt: Having read and thoroughly enjoyed The 19th Wife I found that the two story lines complimented one another. But I wondered about what prompted you to add the storyline involving Jordan, the LDS exile? It seems as though the story of Ann Eliza Young was certainly rich enough to provide for an entire novel. What do you think Jordan's storyline adds to the overall message of the novel?

David Ebershoff: I wanted to tell a full story of polygamy in America. When I started working on the book, I initially thought the story would end around 1890, when the LDS leader, President Woodruff, changed the Church’s position on polygamy. But the more I got into the subject, the more I realized that American polygamy has had a whole second act that I could not ignore. And so I tried to come up with a story and a structure that could tell the reader about polygamy 2.0 in an entertaining and perhaps enlightening way.

Kelly: One of the major themes that exist in the modern polygamist storyline is include the "lost boys" of the Mormon faith who have been abandoned on the streets, of which Jordan is one. In your research did you find that this is a prevalent issue among young LDS males? Were you able to interview or contact any of these "lost boys"?

David: Just to clarify, the present-day polygamists are not LDS. They are called FLDS and in my novel I call them the Firsts. Their ancestors broke away from the LDS Church generations ago over the issue of the polygamy. The so-called Lost Boys – those boys and young men who are kicked out of polygamous communities – are, therefore, not at all a part of LDS culture. Yet among the FLDS the Lost Boys are, unfortunately, a sad truth. I spoke with some of them about their experiences. This is in part how I created the character Jordan Scott.

Kelly: Many of the reviews of The 19th Wife have drawn obvious parallels between the book and events that took place in April at the Yearn for Zion Ranch of the Fundamentalist Church of Latter-Day Saints in west Texas. Were you still working on the novel at the time? Given the amount of research you have done about the world of polygamy I wonder how what must have been going through your head at the time, aside from a general feeling of good timing on your behalf!

David: By April of this year, I was all but finished with the novel. We had galleys and I was making a few final corrections. When I saw on the news what was happening in Texas, like many people I found myself very concerned for the children. I kept asking myself, What would I want if that were me? In fact, I had asked myself that question many times during the four years I was writing The 19th Wife.

Kelly: Maybe this is a baseless and naïve question, but have you received any contact from the Church of Jesus Christ of Latter-day Saints or anyone affiliated with it?

David: I have received hundreds of emails from Mormons, all but one of them positive. Many people have thanked me for telling this story, while others have told me stories about their own 19th century ancestors. And I’ve heard from a lot of gay Mormons. Let’s face it, it’s not always easy being gay and Mormon. Since the book came out a few months ago I’ve sensed from all the emails and people who have come to my readings that they appreciate seeing a character (Tom) who perhaps represents their lives just a bit. I’ve been very moved by all these responses, although I have to admit I am not wholly surprised by them because when I was writing The 19th Wife I met many people who were open about their faith and their Church’s past and graciously shared their own experiences with me. The Church itself has not officially contacted me. This is a novel after all. As the White House said recently in response to a question about American Wife (Curtis Sittenfeld’s amazing novel about a First Lady similar to Laura Bush), “We don’t comment on fictional characters.”

Kelly: I was astonished, and impressed, to read that you were Norman Mailer's editor for the last five years of his life. I am sure you are asked this frequently but, what was it like to be Norman Mailer's editor? How did working with Mailer influence your own work?

David: As an editor, it was both an extraordinary and very ordinary experience. It was ordinary because I work with all writers the same way: I read their manuscripts and tell them exactly what I think. I believe the best way to show a writer respect is to respond to his or her work thoughtfully and fully. And so that’s how I worked with Norman. But of course this was Norman Mailer, and so in many ways it was an extraordinary experience. He liked to be edited. That doesn’t mean he agreed with everything I said. But he was always open to comments about his work. He was always thinking about his work, always striving to improve it, always turning over ideas. He was like that until the last days of his life. He once said to me about writing, “You got to give ‘em fucking juice. The reader wants to know you give a damn.”

Kelly: I read in an interview that your sudden inspiration to write The 19th Wife was so strong that you set aside another book that you were already working on. Can you share any information with us about that?

David: It was a novel inspired by a true crime in Tijuana and San Diego in the 1920s – a terrible crime in which a whole family, mother, father, two daughters, end up dead. My best friend, who read the manuscript many years ago, keeps telling me I should go back to it, but I don’t think I will. At least not now.

Kelly: And finally the question that every author hates for an interviewer to ask, especially fresh after the release of a bestselling novel, but members want to know what's next? Have you already began working on your next novel?

David: I’ve just begun writing a novel about tennis. I know, polygamy to tennis? I promise, one day it will all make sense.

David's The 19th Wife Website has some wonderful materials about Ann Eliza Young, including a fully digital copy of her 1875 book about being involved in polygamy. It can be read here. Please do note that it is a large file.

The site also offers some of the original newspaper stories that are featured in the book. View those here.

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